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  • Empty concert hall with rows of seats and no audience, representing the gap between impressive streaming numbers and the real fan relationships those numbers increasingly fail to measure.
    Artist Development Career Development Music Industry Analysis

    Your Streaming Numbers No Longer Mean What They Used To

    ByRon Pye May 15, 2026May 15, 2026

    Ron Perry, who runs Columbia Records, one of the largest record labels in the world, recently went on record with some remarkable statements. Earlier this year, he told Billboard that TikTok “made things go faster for a small period of time”…

    Read More Your Streaming Numbers No Longer Mean What They Used ToContinue

  • A sound engineer at a live concert mixing desk, illustrating how music management works as amplification rather than creation.
    Artist Management Music Management

    Why Getting a Manager Won’t Fix What You Think It Will

    ByRon Pye May 5, 2026May 5, 2026

    About two years ago an artist came to me for consultancy about her career situation. She had signed a management deal eighteen months earlier with someone who had a genuinely good contacts list and probably genuinely good intentions. Labels, booking agents,…

    Read More Why Getting a Manager Won’t Fix What You Think It WillContinue

  • Abstract 3D render of neon blue and pink concentric circles representing the convergence of the BMG Concord merger
    Music Business Music Industry Analysis Music Law & Rights

    What the BMG and Concord Merger Means for Artists

    ByRon Pye May 1, 2026May 1, 2026

    On the 28th April 2026, BMG and Concord announced plans to merge into a single company. The new combined entity, will be majority owned by Bertelsmann at roughly 67% with Great Mountain Partners holding the remaining 33%. Current projected revenues of…

    Read More What the BMG and Concord Merger Means for ArtistsContinue

  • Aerial view of a circular hedge maze representing the complexity of international PRO royalty data distribution
    Music Industry Analysis Music Law & Rights

    What Can Happen When an Artist Asks Their PRO to Prove What They’ve Been Paid

    ByRon Pye April 24, 2026April 24, 2026

    51 German TV placements. Several tracks synced on major TV shows like Love Island, I’m a Celebrity Germany, The Bachelor, and Galileo. More than 2K radio plays and a decade of touring Germany in venues up to 7,000 capacity. All sounds…

    Read More What Can Happen When an Artist Asks Their PRO to Prove What They’ve Been PaidContinue

  • Russian matryoshka nesting dolls partially opened and spread out in sequence, each one revealing another inside, representing the layered corporate ownership structures behind music distribution platforms.
    Business and Legal Music Industry Analysis

    The Real Story of Music Distributor Ownership in 2026

    ByRon Pye April 13, 2026April 13, 2026

    In January 2026, a story appeared on my timeline that stopped me in my tracks. DistroKid, the music distribution platform, was apparently seriously exploring a sale. The figure being quoted is, as I write this, sitting at around $2 billion, with…

    Read More The Real Story of Music Distributor Ownership in 2026Continue

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  • A group of android robots stood together facing the viewer, representing the audience of machines listening to AI generated music
    Music Industry Analysis
    If No One Wants AI Music, Why Does It Feel Like It’s Being Forced On Us?

    Read More If No One Wants AI Music, Why Does It Feel Like It’s Being Forced On Us?Continue

  • Close up of hallmarks stamped into silver, marks of standard like the recently announced FAC Kitemark for music distributors
    Music Industry Analysis
    What Your Music Distributor Now Owes You

    Read More What Your Music Distributor Now Owes YouContinue

  • Independent musician in a dark home studio, balancing music production and streaming analytics across laptop and screen, illustrating the data paradox at the heart of music industry.
    Music Industry Analysis
    If Labels Have All the Data, Why Do Artists Still Have to Prove Themselves?

    Read More If Labels Have All the Data, Why Do Artists Still Have to Prove Themselves?Continue

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  • Home
  • CRAFT™
  • About Us
    • Our Process
    • Team
      • Ron Pye
  • Representing
    • Music Rights Holders
  • Consultancy
    • Music Rights and Royalty Audit
    • Music Publishing Health Check
    • Music Royalty Recovery
    • Sync Readiness Assessment
    • Music Management Deal Assessment
    • AI and Data Rights Clause Review
  • Services
    • Catalogue Management
    • Career Development
    • Music Publishing & Royalty Collection
    • Sync Licensing
    • Live & Touring
    • Music Marketing
    • Brand Partnerships
  • News
  • Contact Us